Gambirasio Collezione is a curated selection of unique objects and pieces from around the world, collected from 1936 to the present. The selection process is based on the aesthetic or historical significance of each item, whether antique, modern, or contemporary. Regardless of origin, each piece is chosen solely based on the taste and style of the Gambirasio DNA.

Brushed brass
Made-to-order, customizable

ACCA is a contemporary linear lighting fixture in brass that, thanks to its dual-sided light emission, distributes light evenly both upward and downward, creating a well-balanced ambient effect. Its sleek and minimalist design allows for versatile integration into various settings, enhancing spaces with a combination of direct and indirect lighting. Every piece is designed and produced in Italy.

Nain rugs originate from Iran, specifically from the city of Nain in the Isfahan province. They are renowned for their extremely fine weaving, the use of high-quality wool and silk, and their elegant, detailed designs, often featuring floral motifs, central medallions, and intricate arabesques. The delicate arabesques and geometric details blend harmoniously in a palette of blues and light blues, creating a refined and luminous visual effect. The combination of colors adds depth and dynamism, making the rug suitable for both contemporary spaces and classic interiors.

TALAR is a series of lightings in Murano glass and aluminum, featuring a technological update of the traditional Venice's chandelier, rooted in the craftmanship of glassblowing.
Talar is a project developed in collaboration between SCATTER.D Studio and venetian glass master WAVE MURANO GLASS. Each leaf is handmade by Roberto Beltrami, master of the art of glassblowing in Murano, Venezia. It takes a refined knowledge of the material and several steps to sculpt the final shape, a combination of moves like dancing with hot melting crystal, in a ancient technique -named “pulegoso”-for embedding small bubbles in glass.
Roberto had it all, as he is the youngest master on the island. The structure is entirely made out of aluminum alloys, handbrushed and waxed. The lightweight yet strong design allows dimensional freedom and several applications, defining a family of products open to customization.

Cast transparent resin, hand-brushed, Murano glass, aluminum alloy, bolts, COB LED strip, steel cables
Light source: 24V COB LED strip, 2700–3000K, 900 mm, 8 W/m, 900 lm

LUME01 is a pendant lamp crafted with a body and lens carefully hand-shaped in cast transparent resin. Each piece is hand-finished with brushing that enhances its refined texture and optimizes light distribution. Precisely designed aluminum details ensure stability, allowing the lamp to hang from a single cable while maintaining perfect balance. Designed to provide both ambient and focused lighting, this pendant lamp is both a functional fixture and a statement piece. Each lamp is designed and produced in Italy.

Bench with Studded Edges (pair)
Black wooden frame, cotton upholstery
W. 154 | D. 56 | H. 86 cm

Gambirasio Interni offers a sourcing service to help you find the perfect rug for your space—whether antique, modern, or contemporary. In addition, Gambirasio Interni provides a complete rug washing and repair service, carried out by highly skilled artisans, and takes care of both pickup and delivery.

China, late 19th century
W. 217 | D. 50 | H. 90 cm

The most distinctive feature of this piece is the refined carving beneath the tabletop: sinuous scrolls, cloud motifs, and small floral elements that reveal a high level of craftsmanship, likely originating from workshops in northern China or the Fujian region. The sculpted side brackets, which serve both structural and decorative purposes, are typical of altar tables and other ritual or representative furnishings. The wood displays a warm, natural patina, a sign of its age and prolonged use. The design follows the traditional mortise-and-tenon joinery technique, free of nails, which ensures stability and durability. Overall, the piece combines function, aesthetic balance, and symbolic value, embodying the tradition of Chinese furniture devoted to contemplation and cultivated living.

Black wood basement e and Madmoiselle upholstery

TALAR is a series of lightings in Murano glass and aluminum, featuring a technological update of the traditional Venice's chandelier, rooted in the craftmanship of glassblowing. The design of the Talar04 table lamp is centered around its glass leaf. It comes from a collected vintage Murano glass, originally used in antique chandeliers, making each piece one-of-a-kind and distinct from the others. The structure is entirely made out of aluminum alloys, handbrushed and waxed. The lightweight yet strong design allows dimensional freedom and several applications, defining a family of products open to customization.

Entirely handcrafted
Treca de Paris mattresses

Wall Lamp
Sand-cast, solid aluminum
Made to order

Designed between Berlin and Austin, the Mask sconces and Horn hooks are sand cast in aluminum recycled from automotive scrap. Each of the five ‘Mask’ fixtures is made using a single wooden ‘stamp’ - each formwork constructed by imprinting the template in petrobond sand, which is rebuilt and redefined after the sand is disrupted by the extraction of the pattern. The variation of each cast is a manifestation of this process of impression, extraction, and repair.

China, late 19th century
L. 186 | W. 47 | H. 50 cm

This Chinese antique is most likely a kang bench or daybed, a traditional type of furniture used in the northern regions of China. Its low, elongated form and sturdy construction suggest both practical and ceremonial use, typical of pieces intended for the main rooms of aristocratic households or scholars’ residences.

The geometric frieze beneath the top features the classic “key fret” motif, a symbol of continuity and protection that was widespread in furniture made for affluent families during the late Ming period and throughout most of the Qing dynasty. The carved side brackets with swirling motifs evoke the cloud pattern, traditionally associated with prosperity, good fortune, and spiritual harmony.

Production period: 1860–1890
W. 300 | H. 400 cm

A finely crafted carpet in excellent condition, exceptionally rare for its monumental size. This is not a knotted rug but a weft-wrapped woven textile: the weft strands are wrapped diagonally around the warp threads, creating a flat surface enriched with subtle relief. This technique allows highly detailed geometric designs, vivid colors, and crisp outlines. Its impressive dimensions, combined with its virtually perfect state of preservation, make this example an extraordinarily rare collector’s piece.

Dominating the field are the four blue V-shaped motifs, representing protective dragons or guardian spirits symbolizing strength, cosmic balance, and masculine energy. In some interpretations they are winged serpents or world-supporting dragons. Their diagonal cross-shaped arrangement corresponds to the four cardinal directions, offering all-around protection. The main border features a sequence of rhomboidal medallions forming a symbolic protective frame—“walls” encircling the sacred space of the carpet.

Khmer Bust Reproduction
Contemporary - stone

Khmer busts are remarkable sculptures dating back to the Khmer Empire (9th-15th century), with their peak during the reign of Angkor. Made primarily of sandstone or bronze, these busts depict deities, kings, and spiritual figures associated with Hinduism and Buddhism, which coexisted in Khmer art and culture.

The paintings depicting Chinese dignitaries from the mid-19th century are significant examples of Qing Dynasty portrait art. These portraits, known as "ancestral portraits," were commissioned to honor and commemorate high-ranking officials and prominent members of society. Characterized by a frontal and static representation of the subject, these paintings emphasize clothing and ornaments, symbols of the dignitary’s rank and social status. The meticulous details of the garments, such as official robes and headpieces, along with the understated backgrounds, reflect the importance attributed to social position and adherence to tradition.

Japan – Late 20th Century
L. 270 | W. 3 | H. 180 cm


During the second half of the 20th century, with the evolution of the Japanese art and craft market, many of these screens were created using mixed techniques, combining ink painting on paper or silk with gold or silver leaf details. Some examples depict suspended kimonos, almost as if displayed in an elegant boutique, while others portray women in traditional or abstract settings.

Removable Cover with Adjustable Backrests

L. 250 | W. 100 | Seat H. 45 cm | Total H. 90 cm

Ralph Lauren Lamps (Pair)
Aluminum Base, Glass Body, Cotton Shade

Brown Side Tables (Pair)
China – Late 19th Century
Elm Wood

Silk Stripe Upholstery
First Half of the 19th Century

The Biedermeier style emerged in Austria and Germany between 1815 and 1848. While it was undoubtedly influenced by the French Empire style and the English Regency, after the Napoleonic Wars, Biedermeier developed as a movement favoring simplicity and elegance. It is believed that local cabinetmakers, rather than prestigious workshops, created these pieces to cater to the prosperous middle class.

Gambirasio Interni Armchair
Handcrafed Removable Cotton Upholstery

Khmer stone heads are among the most iconic works of sculpture from the Khmer Empire (9th–15th century), renowned for the creation of Angkor Wat and other grand temple complexes in Cambodia. These sculptures often depict Hindu and Buddhist deities, divine kings (Devaraja), and mythological figures, reflecting the art and spirituality of the period.

Today, Khmer stone heads are highly sought after by collectors, and many are preserved in museums worldwide. However, the illicit trade of these artifacts has led to increased efforts in protecting Cambodia's cultural heritage.

Animalier Cushion
Red Velvet
L. 50 | H. 50 cm

Star Kazak Rug with Dragons
Caucasus – Mid-19th Century

Knotted with a symmetrical (Caucasian) knot

Star Kazak rugs featuring dragon motifs are among the rarest and most sought-after Caucasian carpets. These rugs originate from the Karabakh region in the southern Caucasus and date back to the mid-19th century. The dragon is a rather uncommon decorative element in Caucasian rugs, symbolizing power and protection. It is often stylized in geometric forms, sometimes accompanied by phoenixes or other zoomorphic symbols. The name Star Kazak comes from the star motif frequently found in their design.

Ox Horn Lamps 
Black Base with Steel Lamp 
L. 40 | W. 25 | H. 72 cm

Nobilis 2-Seater Sofa 
Red Velvet Upholstery
L. 150 | W. 80 | H. 86 cm

Ox Blood Vases (Pair) 
China – Late 20th Century 
L. 12 | W. 12 | H. 30 cm 


With their extraordinary deep red glaze, Chinese "ox blood" vases are among the most captivating pieces of Chinese ceramics. Their rich, lustrous hues are the result of a complex reduction firing technique using copper oxide. This technique was perfected during the 18th century, particularly under the reigns of Emperors Kangxi and Qianlong. These vases are highly valued, sought after for the difficulty of their production as well as their striking aesthetic appeal.

Emperors on Rice Paper (Pair) 
China – Late 18th Century 
L. 58 | H. 108 cm 


Detailed portraits of Chinese emperors on preserved rice paper. This delicate material allows for fine lines and precise details, capturing the majesty and authority of the emperors. These works are typically painted with attention to their royal attire and symbolic elements, representing their status and power. The 18th century was a period of significant cultural and artistic development in China, particularly during the Qing Dynasty.

Black Lacquer Console 
China – Late 19th Century 
L. 143 | W. 40 | H. 87 cm

Gambirasio Interni Lamps 
Iconic Gambirasio Design

White Linen Shade with Black Trim 
L. 33 | W. 33 | H. 75 cm

Elephant and Dragons Vases (Pair) 
China – Famille Blanche – Late 19th Century


Vases with motifs of both dragons and elephants are highly symbolic in Chinese culture. The dragon often represents power, strength, and good fortune, while the elephant is seen as a symbol of wisdom, longevity, and protection. The combination of these two animals reflects a harmonious balance of strength and wisdom, often used in decorative porcelain during the late Qing Dynasty and in the late 19th century. These vases are typically made of fine porcelain and are highly valued for their detailed craftsmanship and rich symbolism.

Solid Wood Console 
China – Late 19th Century 
L. 143 | W. 40 | H. 87 cm

Gold 6-Panel Folding Screen 
Japan – Mid 20th Century 
L. 270 | W. 3 | H. 180 cm 


The Japanese folding screens of the mid-20th century, known as "byōbu" in Japanese, reflect a fusion of traditional Japanese artistry and modern influences that developed during and after World War II. In the mid-20th century, they became symbols of elegance and refinement, combining traditional techniques with modern aesthetics. This example features the traditional motif of herons, while others depicted flowers, natural landscapes, and scenes of daily life. In the mid-20th century, designers began blending these elements with more abstract styles or Western influences.

Unique piece in bronze 
L. 25 | W. 15 | H. 47 cm

Trumpet Vase (Pair) 
China – 1960 Blue and White Porcelain 
D. 20 cm | H. 45 cm

Zoey Round Armchair (Pair) 
Non-removable upholstery in cotton and polyester 
L. 80 | W. 70 | H. 65 cm

Ningxia Runners (Pair) 
China – Late 19th Century Yellow with Dragons 
L. 100 | H. 390 cm each 


The yellow Ningxia runners with dragons are among the most iconic and refined Chinese carpets, typically dating back to the Qing Dynasty (1644-1912). Originating from the Ningxia region, a major textile production area in China, these carpets were crafted for the nobility and the imperial court, often destined for the palaces of the Forbidden City or Buddhist temples.

Silk Cushion 
With pleated fabric (discontinued collection)
L. 50 | H. 40cm

Cotton Upholstery with Brown Leather Trim


Foo Lions are traditionally displayed in pairs. The male holds a sphere under his paw, symbolizing dominion over the world, while the female protects a cub, representing care and the continuity of the family. Considered auspicious talismans, Foo Lions are believed to ward off evil spirits and bring prosperity. Over time, their common name has shifted from "Foo Lions" to "Foo Dogs."

Bronze Lamps 
Fabric shade with gold interior 
D. 45 | H. 73 cm

Lumbar Cushion 
Upholstery in ivory cotton and black velvet 
L. 50 | H. 22 cm

Armchair Christian Fischbacher 
Upholstery in diamond-patterned velvet 
L. 74 | W. 70 | H. 73 cm